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Rizzoli & Isles Series Finale: Boss on . Read at your own risk.

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But the show, naturally, could not end with Rizzoli and Isles (Sasha Alexander) apart, even if they were going their separate ways: Jane surprises Maura in the final moments by announcing she's going to spend her extra vacation days with her in Paris, where Maura's moving for a month to finish her novel. That's what we were going for.? Nash answers our burning questions about a reboot, how she approached the finale and what you didn't see in the finale.

Last time we talked, you said the finale was half- written and it wasn't your half that was done. How did you go about writing it? What did you want to accomplish?

Jan Nash: . So we came up with this idea to basically have a party that would be a goodbye party that would essentially encompass a lot of them and then using these goodbye videos as a way for the actors to articulate their feelings, obviously through the characters, but it's their own feelings about what it's been like to have done this for so long. We backed up from that device to how you could structure a story that would hold that.

We came to the conclusion that it should have some sort of a crime in it - - a very small crime - - but it gives a little bit of a story to hang these more emotional elements on. And then we simply went through all the pieces we had left that we felt like we needed to honor in the finale. We felt like we needed to give a final end to the Frankie (Jordan Bridges) and Nina (Idara Victor) story, we felt like we needed a moment for the end of the Frost (Lee Thompson Young) story and give a nod to that . We wanted each of the actors to end those relationships with the characters. We really did just think about how many different things that needed to be honored.

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There was a lot of closure in the episode and I don't think anything that happened comes as a surprise. You set it up in the previous episodes. Nash: The 1. 00th episode we used as a linchpin episode. It started with Maura's brain injury at the start of the season.

The 1. 00th became the linchpin on which we built a lot of these character decisions that would play out the rest of the season. I don't think anybody would be surprised by the way the finale ends. The nature of finales of long- running shows, they have passionate audiences and those audiences intensely like or intensely don't like the way the show ends.

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But that's as much as because the show is ending, I think, as anything else. There will always be things that are left unsaid or things that are said that they disagree with. That's really just a reflection of how much they care, which is a lovely thing to have when you have a television show with a passionate audience. Did you get any pushback from network or higher- ups when you pitched the ending? Nash: No. We pitched it at the beginning of the season ..

We had very little pushback about the decisions we were making for the characters. They said what they've always said, which was, . They were very, very supportive. They've always been supportive. At least in terms of what they've said to me, I think they're pleased with the way the finale turned out. Was it difficult writing the final scene knowing you wanted to honor their relationship?

Nash: The truth is it wasn't hard only because more than any other person involved with the show, I had been living with the ending of the show for a very long time. Ultimately, it was my responsibility to make sure we were prepared to end it if we needed to. I started thinking about how it might end before it was clear that it was going to end. It is ultimately my responsibility that this arc makes sense. When I finally got to the end, I think I was more concerned about if it would be satisfying and not so much if it was sad for me or anybody else.

And, for me, I think it's satisfying. What I took great comfort from was that final moment - - those final three or four lines - - was ad- libbed by the actors. I took that as being a really good sign. We created a moment that was consistent with these characters and that these actors, who had embodied them for so long, knew what to do with that moment was even beyond the finish that I had given it.

I liked what they did so much that we left it in the show. I think that's really appropriate. The show actually ends with what these actors think these characters should be saying, not necessarily what just the writers think they should be saying. Sasha Alexander and Angie Harmon, Rizzoli & Isles.

How important was it to have Jane and Maura pursue new careers since they were so tied to their identities as a cop and medical examiner? Nash: . I think for me - - and again, the passionate fans of the show can disagree with me whether this was the right choice or not - - but I wanted to show how important this relationship was to these two women. You can do that in many ways. For me, it seems like just leaving them in exactly the same place didn't allow them to talk about how they felt about each other.

It would just be them going on and having similar experiences to what we've seen. Whereas if we put them in a situation that would make them make different choices, then they got to talk about what all of this was, what it meant and what their relationship meant if their situation changed. The opportunity for that discussion is what we wanted. We wanted them to celebrate what has been and be excited about where they're going. Watch Viktor Online Hulu here.

I think the most important thing for me is no matter what happens in these two characters' lives, they will continue to be best friends forever. That relationship will be unchanged by circumstance. That's what we were going for. I do believe that there is value in growth.

I think Jane and Maura had been the same for a very long time. It was wonderful same. But I wanted to allow for the possibility that these two incredible women might have new acts that allow for their lives to be even more exciting. These are great characters, they're strong women, they have so much more to give. I liked how you took two avenues dealing with change.

Maura was almost forced to because of her injury. Jane chose to give up her job. Nash: Yeah, I feel like both characters have made changes that are consistent with who they are.

Ultimately, Jane Rizzoli changed because she wanted to do what was right for the people she cares about. She didn't want them to be in danger any longer.

She was willing to give up something she loves to make sure all of these people - - Maura, Angela (Lorraine Bracco), Frankie, Nina, Korsak (Bruce Mc. Gill) - - would be safe. And Maura realized that she was more than just her mastery of a world of knowledge. I like to believe that 1. The 1. 2 weirdest things Maura has said on Rizzoli & Isles. There's a whole segment of fans who want them together romantically. Did you write the ending to be somewhat open- ended to leave that option on the table for those fans?

Nash: I wouldn't say that. I would say that we purposely did not put either of them in a relationship at the end. They don't end up in any relationship. They're their own strong people.

I think the fans who want them to end up romantically will ultimately not be satisfied with anything that wasn't exactly that. And I understand that. We weren't trying to sort of allow for that possibility as much as we were trying to allow for everyone who loves the show to have a sense of what they wanted for these characters could be true. Every woman out there who wants them to be strong women achieving their dreams, they can believe that. Watch What The Health Online Flashx more.

People who want Jane Rizzoli to be saving the world can believe that's happening. People who want Maura Isles to be the smartest person in the world doing amazing things, they can believe that. However you love the show, hopefully you can find that path just for you. We really were trying to service the idea that this was a profound experience for a large group of people, including the people who spent the most time living it.